CRITICAL REVIEW


        The figurative sculpture is conceived by the author so as to communicate in a monumental appearance a human state or emotion. Author of several ideological engagement works such as The political detainee from the former concentration camp in Brendoenk, near Brussels or The calling.
Stylistically, per ensemble, Ianchelevici’s works is defined by its classic dimension, classic meaning harmony, grace, balance, serenity. Certain works remind us of the visual tradition of the Orient (Maia), of ancient Greece (Caryatides) etc. There are also sequences that do not fall into the same category, works with a sarcastic note (Romanian peasant, Young man standing up).

Corina Teacă
 


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    BIOGRAPHY


    (Leova, Cahul, Republic of Moldova, 1909 - Maisons-Laffitte, France, 1994; in 1928 he moves to Belgium, and then, in 1950, to France)

    Academic studies: 
    1933 - Académie des Beaux-Arts de la Ville, Brussels, Belgium.

    1992 – honorary member of the Romanian Academy
     


    PROJECTS


    Solo exhibitions:
    1976 – Bucharest National Theatre;
    2011 – Museum of visual arts, Galaţi.

    Group exhibitions:
    1934 - Palais des Beaux-Arts, Brussels, Belgium;
    1945 - Palais des Beaux-Arts, Liège, Belgium;
    1952 - Musée de l'Art Wallon, Liège, Belgium;
    1959 - Musée des Beaux-Arts, Brussels, Belgium.

    Museums:
     - Musée Ianchelevici, La Louvière, Belgium.

    Distinctions:
    1933 – Prize for statuary sculpture, Académie des Beaux-Arts, Brussels, Belgium.
     


    BIBLIOGRAPHY

    Bossard, Roger, Ianchelevici, Brussels, 1957.
    Vlasiu, Ioana (coord.), Dicționarul sculptorilor din România. Secolele XIX-XX, vol. II, lit. H-Z, Editura Academiei Române, București, 2011, pp. 30 - 31.

    Surse web:
    www.museeianchelevici.be