CRITICAL REVIEW

           The young artist’s dialogue with the shapes of the human body discloses an idiosyncratic osmosis between a technical hyper realistic view and a type of protesting nature that smoulders somewhere in the subsidiary. Enveloped by carnal matter of indefinite origin, the anatomical details elaborated by Florin Sidau are offered to the viewer in a manner that is dispersed, singular, free of any organic connection that could be linked to the human body’s integrity. Photorealistically represented, the shapes designated by him evoke a controversial contemporary matter of the ethics of the body in relationship with the new discoveries and polemics in genetics, medicine and the organ black market.

Andreea Foanene (2014)